{"id":108685,"date":"2022-03-31T13:31:44","date_gmt":"2022-03-31T11:31:44","guid":{"rendered":"https:\/\/manueldelia.com\/?p=108685"},"modified":"2022-03-31T20:13:07","modified_gmt":"2022-03-31T18:13:07","slug":"qed-inxandar-l-iskript-ta-ix-xiha-dramm-oxxen-ta-mario-p-azzopardi-dwar-daphne","status":"publish","type":"post","link":"https:\/\/manueldelia.com\/mt\/2022\/03\/qed-inxandar-l-iskript-ta-ix-xiha-dramm-oxxen-ta-mario-p-azzopardi-dwar-daphne\/","title":{"rendered":"Qed inxandar l-iskript ta’ ix-Xi\u0127a, dramm oxxen ta’ Mario P Azzopardi dwar Daphne"},"content":{"rendered":"

Tista’ tni\u017c\u017cel hawn l-iskript ta’ ix-Xi\u0127a<\/em> li se tittella’ ftit tal-\u0121ranet o\u0127ra fuq il-palk tat-teatru nazzjonali ta’ Malta.<\/p>\n

L-iskript ta’ ix-Xi\u0127a<\/a><\/p>\n

Mhuwiex il-\u0127sieb tieg\u0127i li lil dan id-dramm nag\u0127millu riklam. Lanqas mhi l-intenzjoni tieg\u0127i li nara li jsegwuh \u0127afna nies. Jien nirrispettak u jekk trid tie\u0127u \u0127sieb is-sa\u0127\u0127a fi\u017cika u mentali tieg\u0127ek, ikun a\u0127jar jekk ma taqrahx. L-iskript ta’ dan id-dramm huwa wie\u0127ed medjokri u superfi\u010bjali u dan barra li huwa wkoll mi\u017cg\u0127ud bil-mibg\u0127eda, bil-pre\u0121udizzji u bi vjolenza morali.<\/p>\n

Qed inxandar l-iskript biex nipprotesta kontra dan id-dramm. Mario Philip Azzopardi g\u0127andu kull dritt li jikteb u jippre\u017centah. U jien g\u0127andi kull dritt li nie\u0127u g\u0127alija. U nistqarr li \u0127adt g\u0127alija.<\/p>\n

Wa\u0127da min-nisa f’dan ir-ritratt ta\u0127dem il-parti ta’ karattru bl-isem ta’ Jenny, li taparsi hi Daphne Caruana Galizia. It-titlu ix-Xi\u0127a<\/em>\u00a0ma jirriferix g\u0127aliha.<\/p>\n

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Ix-xi\u0127a hi l-omm il-mejta li, f’konfoffa mal-udjenza, tivvendika ru\u0127ha mal-erba’ wliedha b’imne\u0127irhom imxammar u egoisti billi taqtag\u0127hom mill-wirt u t\u0127alli \u0121idha lis-seftura tag\u0127ha u lil mara o\u0127ra li kienet trabbi lil uliedha. Wa\u0127da minn uliedha hi bla dubju Daphne Caruana Galizia, jew a\u0127jar, dak li ming\u0127alihom kienet Daphne Caruana Galizia g\u0127at-telespettaturi u s-semmieg\u0127a tas-Super One.<\/p>\n

Din hi mara vendikattiva, klassista, nieqsa mill-empatija u mill-emozzjoni umana. Hi tirrappre\u017centa karattru stereotipatiku f’dramm stereotipatiku tal-ewwel \u017cminijiet tal-propaganda fl-Unjoni Sovjetika tas-snin 20 li fih il-qaddejja u l-plebej huma mpin\u0121ijin b\u0127ala nies twajba filwaqt li l-aristokrati\u010bi mpin\u0121ijin b\u0127ala nies \u0127\u017ciena.<\/p>\n

Dik li ta\u0127dem il-parti ta’ Daphne, tpin\u0121iha b\u0127ala persuna partikolarment imxajtna. Ara ftit x’kwalit\u00e0 ta’ diskors tlissen l-attri\u010bi li tirrappre\u017centaha fid-dramm – diskors in\u0121urju\u017c li int suppost g\u0127andek tiskandalizza ru\u0127ek int u tisimg\u0127u:<\/p>\n

\u201cJalla it-tfal tag\u0127kom imutu kollha kemm huma bil-kan\u010ber. Kull fejn t\u0127ares, \u0127allelin biss. SITWAZZJONI DDISPRATA<\/em>.\u201d<\/p>\n

Lesti ru\u0127ek biex taqla’ l-istonku tieg\u0127ek.<\/p>\n

Huwa ta’ g\u0127ajb kbir li t-teatru nazzjonali kellu ja\u010b\u010betta li jiffinanzja dramm b\u0127al dan. Imma\u0121inaw produzzjoni drammatika fi Broadway li tiddie\u0127ak bl-ekwipa\u0121\u0121 tal-ajruplani li \u0121\u0121arrfu fil-World Trade Centre. Imma\u0121inaw produzzjoni drammatika fuq palk Ruman li fih il-karattru ta’ Paolo Borsellino ji\u0121i interpretat b\u0127ala wie\u0127ed li jilg\u0127ab il-flus u li ji\u0121ri wara n-nisa.<\/p>\n

It-teatru nazzjonali tag\u0127na qed i\u0127allas g\u0127al dramm li jippromwovi 30 sena s\u0127a\u0127 ta’ gideb u vilifikazzjoni fil-konfront ta’ Daphne mill-Partit Laburista. Liema vilifikazzjoni g\u0127enet biex wasslet g\u0127all-qtil tag\u0127ha.<\/p>\n

Iva, Mario Philip Azzopardi g\u0127andu kull dritt li ja\u0127den produzzjoni b\u0127al din g\u0127ax ma jkunx qed iwettaq delitt meta joqtol mara bil-kliem u b’memorji foloz. Imma b’daqshekk dan ma jfissirx li dan g\u0127andna na\u010b\u010bettawh.<\/p>\n

Mela mur tnejjek Mario Philip Azzopardi. \u0126assartlek il-festi, ja miskin li int, g\u0127ax issa l-udjenza tieg\u0127ek mhux ser tissorprendi ru\u0127ha bil-kitba tieg\u0127ek. U int u tipprova taqta’ kif \u0121ie f’idejja l-iskript tad-dramm, ng\u0127idlek li fit-teatru je\u017cistu numru ta’ impjegati li g\u0127andhom kuxjenza – g\u0127ad fadal xi ftit minnhom – li tkexkxu huma u jarawkom tag\u0127mlu l-provi.<\/p>\n

Nittama li \u0127add ma jg\u0127addilu minn rasu li j\u0127assarlek id-dramm. Nittama li jittella’. Nittama li l-istudju\u017ci tal-istorja jie\u0127du l-briga biex jaqrawh u jit\u0127assbu dwar kif pajji\u017c jista’ jg\u0127ix seren bil-qtil ta’ \u0121urnalista li kienet mag\u0127rufa mad-dinja, li kienet ukoll omm, bint, mara u o\u0127t. U jiskantaw dwar kif artisti inkompetenti jistg\u0127u qatt jitqabbdu minn teatru biex iperr\u010bu l-mibg\u0127eda u l-velenu li jkollhom fl-istonku tag\u0127hom.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Tista’ tni\u017c\u017cel hawn l-iskript ta’ ix-Xi\u0127a li se tittella’ ftit tal-\u0121ranet o\u0127ra fuq il-palk tat-teatru nazzjonali ta’ Malta. L-iskript ta’ ix-Xi\u0127a Mhuwiex il-\u0127sieb tieg\u0127i li lil dan id-dramm nag\u0127millu riklam. Lanqas mhi l-intenzjoni tieg\u0127i li nara li jsegwuh \u0127afna nies. Jien nirrispettak u jekk trid tie\u0127u \u0127sieb is-sa\u0127\u0127a fi\u017cika u mentali tieg\u0127ek, ikun a\u0127jar jekk […]<\/p>\n","protected":false},"author":1,"featured_media":108680,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[54],"tags":[],"_links":{"self":[{"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/posts\/108685\/"}],"collection":[{"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/comments\/?post=108685"}],"version-history":[{"count":5,"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/posts\/108685\/revisions\/"}],"predecessor-version":[{"id":108691,"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/posts\/108685\/revisions\/108691\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/media\/108680\/"}],"wp:attachment":[{"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/media\/?parent=108685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/categories\/?post=108685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/manueldelia.com\/mt\/wp-json\/wp\/v2\/tags\/?post=108685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}